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| DATE | 2022-03-31 |
| FROM | The Billie Holiday Theatre
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| SUBJECT | Subject: [Hangout - NYLXS] ruben Happy Women's History Month
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WOMEN'S HISTORY MONTH This month, we salute the countless number of women =
- past and present - who have contributed to The Billie's monumental succes=
s from the producers to the actresses to the institution's leadership. As w=
e end this Women's History Month, we celebrate, reflect, recharge, and prop=
el forward! For five decades, The Billie has stood firmly as a beacon for a=
rtistic brilliance and innovation rooted in social justice and we are excit=
ed to build on that legacy as a thriving multi platform performing arts des=
tination located in the heart of Bed-Stuy. In preparing to celebrate our 50=
th Anniversary season, the institution remains committed to presenting worl=
d class theater for our community and to amplifying Black stories and Black=
genius. We Salute Ronald K. Brown | "Absolute Victory Every Day" Our belo=
ved Ronald K. Brown was recently profiled by The New York Times. Please see=
an excerpt from the story below: "Brown, 55, is a formidable choreographer=
whose spiritual blend of contemporary dance with African and Afro-Cuban fo=
rms has made him one of the most important dance artists of his generation =
=E2=80=94 or, really, any generation. For a stroke to happen to anybody wou=
ld be devastating. But for a choreographer of his stature, it=E2=80=99s hor=
rible to contemplate. Brown=E2=80=99s dancing =E2=80=94 his body =E2=80=94 =
is at the root of his poetic, rapturous works." The New York Times CHECK OU=
T THE FULL ARTICLE HERE OUR PARTNERS =EF=BB=BF Welcome to The Billie's 50th=
anniversary season, as we bring world-class artistic experiences to the he=
art of Bed-Stuy, Brooklyn! Support for the 2022-2023 season has been gener=
ously provided by The Andrew W. Mellon Foundation, Altman Foundation, Con E=
dison, The Jordan Brand, Fan Fox and Leslie R. Samuels Foundation, The Ford=
Foundation, The Fund for the City of New York, Howard Gilman Foundation, K=
resge Foundation, The Laurie M. Tisch Illumination Fund, Lily Auchincloss F=
oundation, Lucille Lortel Foundation, Pierre and Tana Matisse Foundation, H=
arkness Foundation for Dance, Doris Duke Charitable Foundation, Seller-Lehr=
er Family Foundation, The Maurice Sendak Foundation, Mertz Gilmore Foundati=
on, The New York Community Trust, The Shubert Foundation, Srinija Srinivasa=
n Fund of the Silicon Valley Community Foundation, and Universal Music Grou=
p's Task Force for Meaningful Change. The J. L. Greene Art Access Fund in T=
he New York Community Trust has also partnered with The Billie Holiday Thea=
tre to bring the performing arts to underrepresented audiences throughout N=
ew York. The Billie Holiday Theatre, Inc. is a proud member of the Coaliti=
on of Theatres of Color (CTC). Our 2022-2023 Season is also made possible b=
y public funds from the New York City Department of Cultural Affairs in par=
tnership with the City Council, with the support of Commissioner Gonzalo Ca=
sals, the Office of the Mayor of the City of New York with the support of M=
ayor Bill de Blasio, Office of the Brooklyn Borough President with the supp=
ort of Brooklyn Borough President Eric L. Adams, New York City Council (Dis=
trict 36) with the support of Councilmember Robert E. Cornegy, Majority Cou=
ncil, Majority Leader Councilmember Laurie Cumbo, and the support of Assemb=
ly Member Tremaine Wright. =E2=80=8C =E2=80=8C =E2=80=8C =E2=80=8C Center f=
or Arts & Culture at Restoration | Bedford Stuyvesant Restoration Corporati=
on, 1368 Fulton Street, Brooklyn, NY 11216 Unsubscribe ruben-at-mrbrklyn.com U=
pdate Profile | Constant Contact Data Notice Sent by info-at-thebillieholiday.=
org powered by Try email marketing for free today!
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tom: 10px;">
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line-height: 1.2; font-weight: bold; padding: 10px 20px 10px 10px;">
le=3D"color: rgb(0, 0, 0); font-family: Arial Black, Gadget, sans-serif;">W=
e Salute Ronald K. Brown | "Absolute Victory Every Day" <= /div> |
ing=3D"0" border=3D"0">
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: #403f42; text-align: left; display: block; word-wrap: break-word; line-he=
ight: 1.2; padding: 10px 20px 10px 10px;">
Our beloved Ronald K. Brown was r=
ecently profiled by The New York Times. Please see an excerpt from the stor=
y below:
alic;">"Brown, 55, is a formidable choreographer whose spiritual blend of c=
ontemporary dance with African and alic;">Afro-Cuban forms has made him one of the most important dance artist=
s of his generation — or, really, alic;">any generation. For a stroke to happen to anybody would be devastati=
ng. But for a choreographer of his alic;">stature, it’s horrible to contemplate. Brown’s dancing=
— his body — is at the root of his poetic, rapturous<= /div>
">works." T=
he New York Times
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ight: 1.2; padding: 10px 20px;">
rial Black, Gadget, sans-serif;">OUR PARTNERS rial Black, Gadget, sans-serif;"> Welcome to Th=
e Billie's 50th anniversary season, as we bring world-class artis=
tic experiences to the heart of Bed-Stuy, Brooklyn!
Support for the&#x=
a0;2022-2023 season has been generously provided by The Andrew W.=
Mellon Foundation, Altman Foundation, Con Edison, The Jordan Brand, Fan Fo=
x and Leslie R. Samuels Foundation, The Ford Foundation, The Fund for the C=
ity of New York, Howard Gilman Foundation, Kresge Foundation, The Laurie M.=
Tisch Illumination Fund, Lily Auchincloss Foundation, Lucille Lortel Found=
ation, Pi=
erre and Tana Matisse Foundation, Harkness Foundation for Dance, Doris Duke=
Charitable Foundation, Seller-Lehrer Family Foundation, style=3D"font-size: 12px; color: rgb(34, 34, 34);">The Maurice Sendak Found=
ation, Mertz Gilmore Foundation, The New York Community Trust, The Shubert =
Foundation, Srinija Srinivasan Fund of the Silicon Valley Community Foundat=
ion, and Universal Music Group's Task Force for Meaningful Change. The=
J. L. Greene Art Access Fund in The New York Community Trust has also part=
nered with The Billie Holiday Theatre to bring the performing arts to under=
represented audiences throughout New York.
The Billie Ho=
liday Theatre, Inc. is a proud member of the Coalition of Theatres of Color=
(CTC). Our 2022-2023 Season is also made possible by public funds from the=
New York City Department of Cultural Affairs in partnership with the City =
Council, with the support of Commissioner Gonzalo Casals, the Office of the=
Mayor of the City of New York with the support of Mayor Bill de Blasio, Of=
fice of the Brooklyn Borough President with the support of Brooklyn Borough=
President Eric L. Adams, New York City Council (District 36) with the supp=
ort of Councilmember Robert E. Cornegy, Majority Council, Majority Leader C=
ouncilmember Laurie Cumbo, and the support of Assembly Member Tremaine Wrig=
ht.
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_______________________________________________
Hangout mailing list
Hangout-at-nylxs.com
http://lists.mrbrklyn.com/mailman/listinfo/hangout
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WOMEN'S HISTORY MONTH This month, we salute the countless number of women =
- past and present - who have contributed to The Billie's monumental succes=
s from the producers to the actresses to the institution's leadership. As w=
e end this Women's History Month, we celebrate, reflect, recharge, and prop=
el forward! For five decades, The Billie has stood firmly as a beacon for a=
rtistic brilliance and innovation rooted in social justice and we are excit=
ed to build on that legacy as a thriving multi platform performing arts des=
tination located in the heart of Bed-Stuy. In preparing to celebrate our 50=
th Anniversary season, the institution remains committed to presenting worl=
d class theater for our community and to amplifying Black stories and Black=
genius. We Salute Ronald K. Brown | "Absolute Victory Every Day" Our belo=
ved Ronald K. Brown was recently profiled by The New York Times. Please see=
an excerpt from the story below: "Brown, 55, is a formidable choreographer=
whose spiritual blend of contemporary dance with African and Afro-Cuban fo=
rms has made him one of the most important dance artists of his generation =
=E2=80=94 or, really, any generation. For a stroke to happen to anybody wou=
ld be devastating. But for a choreographer of his stature, it=E2=80=99s hor=
rible to contemplate. Brown=E2=80=99s dancing =E2=80=94 his body =E2=80=94 =
is at the root of his poetic, rapturous works." The New York Times CHECK OU=
T THE FULL ARTICLE HERE OUR PARTNERS =EF=BB=BF Welcome to The Billie's 50th=
anniversary season, as we bring world-class artistic experiences to the he=
art of Bed-Stuy, Brooklyn! Support for the 2022-2023 season has been gener=
ously provided by The Andrew W. Mellon Foundation, Altman Foundation, Con E=
dison, The Jordan Brand, Fan Fox and Leslie R. Samuels Foundation, The Ford=
Foundation, The Fund for the City of New York, Howard Gilman Foundation, K=
resge Foundation, The Laurie M. Tisch Illumination Fund, Lily Auchincloss F=
oundation, Lucille Lortel Foundation, Pierre and Tana Matisse Foundation, H=
arkness Foundation for Dance, Doris Duke Charitable Foundation, Seller-Lehr=
er Family Foundation, The Maurice Sendak Foundation, Mertz Gilmore Foundati=
on, The New York Community Trust, The Shubert Foundation, Srinija Srinivasa=
n Fund of the Silicon Valley Community Foundation, and Universal Music Grou=
p's Task Force for Meaningful Change. The J. L. Greene Art Access Fund in T=
he New York Community Trust has also partnered with The Billie Holiday Thea=
tre to bring the performing arts to underrepresented audiences throughout N=
ew York. The Billie Holiday Theatre, Inc. is a proud member of the Coaliti=
on of Theatres of Color (CTC). Our 2022-2023 Season is also made possible b=
y public funds from the New York City Department of Cultural Affairs in par=
tnership with the City Council, with the support of Commissioner Gonzalo Ca=
sals, the Office of the Mayor of the City of New York with the support of M=
ayor Bill de Blasio, Office of the Brooklyn Borough President with the supp=
ort of Brooklyn Borough President Eric L. Adams, New York City Council (Dis=
trict 36) with the support of Councilmember Robert E. Cornegy, Majority Cou=
ncil, Majority Leader Councilmember Laurie Cumbo, and the support of Assemb=
ly Member Tremaine Wright. =E2=80=8C =E2=80=8C =E2=80=8C =E2=80=8C Center f=
or Arts & Culture at Restoration | Bedford Stuyvesant Restoration Corporati=
on, 1368 Fulton Street, Brooklyn, NY 11216 Unsubscribe ruben-at-mrbrklyn.com U=
pdate Profile | Constant Contact Data Notice Sent by info-at-thebillieholiday.=
org powered by Try email marketing for free today!
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line-height: 1.2; font-weight: bold; padding: 10px 20px 10px 10px;">
le=3D"color: rgb(0, 0, 0); font-family: Arial Black, Gadget, sans-serif;">W=
e Salute Ronald K. Brown | "Absolute Victory Every Day" <= /div> |
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: #403f42; text-align: left; display: block; word-wrap: break-word; line-he=
ight: 1.2; padding: 10px 20px 10px 10px;">
Our beloved Ronald K. Brown was r=
ecently profiled by The New York Times. Please see an excerpt from the stor=
y below:
alic;">"Brown, 55, is a formidable choreographer whose spiritual blend of c=
ontemporary dance with African and alic;">Afro-Cuban forms has made him one of the most important dance artist=
s of his generation — or, really, alic;">any generation. For a stroke to happen to anybody would be devastati=
ng. But for a choreographer of his alic;">stature, it’s horrible to contemplate. Brown’s dancing=
— his body — is at the root of his poetic, rapturous<= /div>
">works." T=
he New York Times
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yle=3D"width: 94%; min-width: 94%; height: 1px;">
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bgcolor=3D"#000000">
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yle=3D"padding-bottom: 13px; height: 1px; line-height: 1px;">
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s=3D"galileo-ap-layout-editor" style=3D"min-width: 100%;">
=3D"top">
ing=3D"0" border=3D"0">
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: #403f42; text-align: left; display: block; word-wrap: break-word; line-he=
ight: 1.2; padding: 10px 20px;">
rial Black, Gadget, sans-serif;">OUR PARTNERS rial Black, Gadget, sans-serif;"> Welcome to Th=
e Billie's 50th anniversary season, as we bring world-class artis=
tic experiences to the heart of Bed-Stuy, Brooklyn!
Support for the&#x=
a0;2022-2023 season has been generously provided by The Andrew W.=
Mellon Foundation, Altman Foundation, Con Edison, The Jordan Brand, Fan Fo=
x and Leslie R. Samuels Foundation, The Ford Foundation, The Fund for the C=
ity of New York, Howard Gilman Foundation, Kresge Foundation, The Laurie M.=
Tisch Illumination Fund, Lily Auchincloss Foundation, Lucille Lortel Found=
ation, Pi=
erre and Tana Matisse Foundation, Harkness Foundation for Dance, Doris Duke=
Charitable Foundation, Seller-Lehrer Family Foundation, style=3D"font-size: 12px; color: rgb(34, 34, 34);">The Maurice Sendak Found=
ation, Mertz Gilmore Foundation, The New York Community Trust, The Shubert =
Foundation, Srinija Srinivasan Fund of the Silicon Valley Community Foundat=
ion, and Universal Music Group's Task Force for Meaningful Change. The=
J. L. Greene Art Access Fund in The New York Community Trust has also part=
nered with The Billie Holiday Theatre to bring the performing arts to under=
represented audiences throughout New York.
The Billie Ho=
liday Theatre, Inc. is a proud member of the Coalition of Theatres of Color=
(CTC). Our 2022-2023 Season is also made possible by public funds from the=
New York City Department of Cultural Affairs in partnership with the City =
Council, with the support of Commissioner Gonzalo Casals, the Office of the=
Mayor of the City of New York with the support of Mayor Bill de Blasio, Of=
fice of the Brooklyn Borough President with the support of Brooklyn Borough=
President Eric L. Adams, New York City Council (District 36) with the supp=
ort of Councilmember Robert E. Cornegy, Majority Council, Majority Leader C=
ouncilmember Laurie Cumbo, and the support of Assembly Member Tremaine Wrig=
ht.
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