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| DATE | 2020-05-06 |
| FROM | The Billie Holiday Theatre
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| SUBJECT | Subject: [Hangout - NYLXS] We Really Miss You at The Billie!
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Subject: [Hangout - NYLXS] We Really Miss You at The Billie!
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Hello from Our Communication's Team A NOTE FROM OUR COMMUNICATIONS TEAM Pe=
rhaps more than ever before, since the founding of The Billie Holiday Theat=
re, has the need to stay connected with you been as deeply meaningful as it=
is now. In a typical season, we talk with you, our community members, thro=
ughout the year when we see you in the lobby for a show, when you stop by t=
o purchase a block of group tickets, or some of you stop by to just say "he=
llo" and check-in on how we're doing. During this atypical and challenging =
time and almost two months in, we want to do another check in on you and le=
t you know that we miss you and that we truly remain concerned about your w=
ell-being. Passing by neighbors in our community, as we do essential errand=
s, we are constantly thinking of you and your families. It is inspiring to =
see how our community continues to keep on keeping on even when the going g=
ets tough, persevering with true determination during this moment of "pause=
". We are in the planning stages of what all of this means for The Billie, =
the staff, our artists, and for you - our community - and how we move forwa=
rd with the utmost care and well-being of staff, artists and audiences at t=
he forefront. We would just love to hear from you. Please take a moment and=
answer one question below to help us in our planning for moving forward. O=
n behalf of The Billie Holiday Theatre=E2=80=99s Communication Team, stay s=
afe, stay well, stay inspired. Always Our Best, =EF=BB=BFBarbara Bullard Co=
mmunications Lead Nina Flowers Public Relations Lead Edna Fulton Community =
Connections Manager SURVEY Photo of Hollis King and Carl Hancock Rux in the=
World Premiere of A Walk Into Slavery, 2019. OUR PARTNERS The 2019 - 2020 =
season folds the community into world-class artistic experiences in the hea=
rt of Bed-stuy. The Billie Holiday Theatre was founded in 1972 by Bedford S=
tuyvesant Restoration Corporation whose partnership provides a vital platfo=
rm for the sustainability of world-class arts and culture. Lead support for=
the 2019 - 2020 season provided by the Ford Foundation, New York Community=
Trust, and Howard Gilman Foundation. The J. L. Greene Art Access Fund in T=
he New York Community Trust has partnered with The Billie Holiday Theatre t=
o bring the performing arts to underrepresented audiences throughout New Yo=
rk. Our ability to tell stories that matter in the epicenter of the largest=
community of people of African descent in the nation is made possible with=
support from our partners: The Andrew W. Mellon Foundation, The Laurie Tis=
ch Illumination Fund, The Fan Fox and Leslie R. Samuels Foundation, and Con=
Edison. Additional support provided by The Fund for the City of New York, =
Lily Auchincloss Foundation, The Shubert Foundation, Srinija Srinivasan Fun=
d of the Silicon Valley Community Foundation, and John Golden Fund. The B=
illie Holiday Theatre, Inc. is a proud member of the Coalition of Theatres =
of Color (CTC). The 2019 - 2020 Season is made possible, in part, by public=
funds from the New York City Department of Cultural Affairs in partnership=
with the City Council, with the support of Commissioner Tom Finkelpearl, t=
he Office of the Mayor of the City of New York with the support of Mayor Bi=
ll de Blasio, Office of the Brooklyn Borough President with the support of =
Brooklyn Borough President Eric L. Adams, New York City Council (District 3=
6) with the support of Councilmember Robert E. Cornegy, Majority Council, M=
ajority Leader Councilmember Laurie Cumbo, and the support of Assemblymembe=
r Tremaine Wright. =E2=80=8C The Billie Holiday Theatre | Bedford Stuyvesa=
nt Restoration Corporation, 1368 Fulton Street, Brooklyn, NY 11216 Unsubscr=
ibe ruben-at-mrbrklyn.com Update Profile | About Constant Contact Sent by info=
-at-thebillieholiday.org in collaboration with Try email marketing for free to=
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text-align: left;" align=3D"left">ly: Franklin Gothic Medium, Arial, Helvetica, sans-serif;">A NOTE FROM OUR =
COMMUNICATIONS TEAM
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![3D""]() y: block; height: auto !important; max-width: 100% !important;" width=3D"56= 0" border=3D"0" hspace=3D"0" vspace=3D"0" src=3D"https://files.constantcont= act.com/0b8a4661501/313590fb-f871-49f8-9d95-4430d340d19c.jpg">
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Times New Roman, Times, serif;">Perhaps more than ever before, since the fo=
unding of The Billie Holiday Theatre, has the need to stay connected with y=
ou been as deeply meaningful as it is now. In a typical season, we talk wit=
h you, our community members, throughout the year when we see you in the lo=
bby for a show, when you stop by to purchase a block of group tickets, or s=
ome of you stop by to just say "hello" and check-in on how we're doing. Dur=
ing this atypical and challenging time and almost two months in, we want to=
do another check in on you and let you know that we miss you and that we t=
ruly remain concerned about your well-being. Passing by neighbors in our co=
mmunity, as we do essential errands, we are constantly thinking of you and =
your families. It is inspiring to see how our community continues to <=
/span>rgia, Times New Roman, Times, serif; font-style: italic;">keep on keeping o=
neorgia, Times New Roman, Times, serif;"> even when the going gets tough, pe=
rsevering with true determination during this moment of "pause". We are in =
the planning stages of what all of this means for The Billie, the staff, ou=
r artists, and for you - our community - and how we move forward with the u=
tmost care and well-being of staff, artists and audiences at the forefront.=
gia, Times New Roman, Times, serif;">We would just love to hear from you.&#=
xa0;Please take a moment and answer one question below to help us in our pl=
anning for moving forward.
gia, Times New Roman, Times, serif; font-style: normal; text-decoration: no=
ne;">On behalf of The Billie Holiday Theatre’s Communication Team,span> gia, Times New Roman, Times, serif;">stay safe, stay well, stay inspired.span>
gia, Times New Roman, Times, serif;">Always Our Best,
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2px; font-family: Georgia, Times New Roman, Times, serif; font-weight: bold=
;">Barbara Bullard 2px; font-family: Georgia, Times New Roman, Times, serif;">Communications L=
ead
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ing=3D"0" border=3D"0">
gn=3D"top" style=3D"font-family: Arial, Verdana, Helvetica, sans-serif; fon=
t-size: 12px; color: #403F42; text-align: center; display: block; word-wrap=
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2px; color: rgb(64, 63, 66); font-weight: bold; font-family: Georgia, Times=
New Roman, Times, serif;">Nina Flowers 2px; color: rgb(64, 63, 66); font-family: Georgia, Times New Roman, Times, =
serif;">Public Relations Lead
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|
ing=3D"0" border=3D"0">
gn=3D"top" style=3D"font-family: Arial, Verdana, Helvetica, sans-serif; fon=
t-size: 12px; color: #403F42; text-align: center; display: block; word-wrap=
: break-word; line-height: 1.2; padding: 10px 20px 10px 0px;">
2px; color: rgb(64, 63, 66); font-weight: bold; font-family: Georgia, Times=
New Roman, Times, serif;">Edna Fulton 2px; color: rgb(64, 63, 66); font-family: Georgia, Times New Roman, Times, =
serif;">Community Connections Manager
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: break-word; padding: 10px 20px;">
text-align: left;" align=3D"left">
Times New Roman, Times, serif;">Photo of Hollis King and Carl Hancock Rux i=
n the World Premiere of , 0, 0); font-family: Georgia, Times New Roman, Times, serif; font-style: i=
talic;">A Walk Into Slaveryb(0, 0, 0); font-family: Georgia, Times New Roman, Times, serif;">, 2019.span>
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cellspacing=3D"0" border=3D"0" align=3D"center">
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bgcolor=3D"#000000">
![3D""]() e=3D"0" src=3D"https://imgssl.constantcontact.com/letters/images/sys/S.gif"= style=3D"display: block; height: 1px; width: 5px;">
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eft" valign=3D"top">
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lor: #2D3133; text-align: center; display: block; word-wrap: break-word; li=
ne-height: 1.2; font-weight: bold; padding: 10px 20px;">
le=3D"font-size: 28px; font-family: Franklin Gothic Medium, Arial, Helvetic=
a, sans-serif;">OUR PARTNERS
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ft" valign=3D"top">
ing=3D"0" border=3D"0">
=3D"line-height: 1.2; font-family: Arial, Verdana, Helvetica, sans-serif; f=
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: break-word; padding: 10px 20px;">
al; font-family: Franklin Gothic Medium, Arial, Helvetica, sans-serif;">The=
2019 - 2020 season folds the community into world-class artistic experienc=
es in the heart of Bed-stuy. The Billie Holiday Theatre was founded in=
1972 by Bedford Stuyvesant Restoration Corporation whose partnership&=
#xa0;provides a vital platform for the sustainability of world-class arts a=
nd culture.
al; font-family: Franklin Gothic Medium, Arial, Helvetica, sans-serif;">Lea=
d support for the 2019 - 2020 season provided by the Ford Foundation, New Y=
ork Community Trust, and Howard Gilman Foundation. The J. L. Greene Art Acc=
ess Fund in The New York Community Trust has partnered with The Billie Holi=
day Theatre to bring the performing arts to underrepresented audiences thro=
ughout New York. Our ability to tell stories that matter in the epicenter o=
f the largest community of people of African descent in the nation is made =
possible with support from our partners: The Andrew W. Mellon Foundation, T=
he Laurie Tisch Illumination Fund, The Fan Fox and Leslie R. Samuels Founda=
tion, and Con Edison. Additional support provided by The Fund for the City =
of New York, Lily Auchincloss Foundation, The Shubert Foundation, Srinija S=
rinivasan Fund of the Silicon Valley Community Foundation, and John Golden =
Fund.
al; font-family: Franklin Gothic Medium, Arial, Helvetica, sans-serif;">The=
Billie Holiday Theatre, Inc. is a proud member of the Coalition of Theatre=
s of Color (CTC). The 2019 - 2020 Season is made possible, in part, by publ=
ic funds from the New York City Department of Cultural Affairs in partnersh=
ip with the City Council, with the support of Commissioner Tom Finkelpearl,=
the Office of the Mayor of the City of New York with the support of Mayor =
Bill de Blasio, Office of the Brooklyn Borough President with the support o=
f Brooklyn Borough President Eric L. Adams, New York City Council (District=
36) with the support of Councilmember Robert E. Cornegy, Majority Council,=
Majority Leader Councilmember Laurie Cumbo, and the support of Assemblymem=
ber Tremaine Wright.
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_______________________________________________
Hangout mailing list
Hangout-at-nylxs.com
http://lists.mrbrklyn.com/mailman/listinfo/hangout
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Hello from Our Communication's Team A NOTE FROM OUR COMMUNICATIONS TEAM Pe=
rhaps more than ever before, since the founding of The Billie Holiday Theat=
re, has the need to stay connected with you been as deeply meaningful as it=
is now. In a typical season, we talk with you, our community members, thro=
ughout the year when we see you in the lobby for a show, when you stop by t=
o purchase a block of group tickets, or some of you stop by to just say "he=
llo" and check-in on how we're doing. During this atypical and challenging =
time and almost two months in, we want to do another check in on you and le=
t you know that we miss you and that we truly remain concerned about your w=
ell-being. Passing by neighbors in our community, as we do essential errand=
s, we are constantly thinking of you and your families. It is inspiring to =
see how our community continues to keep on keeping on even when the going g=
ets tough, persevering with true determination during this moment of "pause=
". We are in the planning stages of what all of this means for The Billie, =
the staff, our artists, and for you - our community - and how we move forwa=
rd with the utmost care and well-being of staff, artists and audiences at t=
he forefront. We would just love to hear from you. Please take a moment and=
answer one question below to help us in our planning for moving forward. O=
n behalf of The Billie Holiday Theatre=E2=80=99s Communication Team, stay s=
afe, stay well, stay inspired. Always Our Best, =EF=BB=BFBarbara Bullard Co=
mmunications Lead Nina Flowers Public Relations Lead Edna Fulton Community =
Connections Manager SURVEY Photo of Hollis King and Carl Hancock Rux in the=
World Premiere of A Walk Into Slavery, 2019. OUR PARTNERS The 2019 - 2020 =
season folds the community into world-class artistic experiences in the hea=
rt of Bed-stuy. The Billie Holiday Theatre was founded in 1972 by Bedford S=
tuyvesant Restoration Corporation whose partnership provides a vital platfo=
rm for the sustainability of world-class arts and culture. Lead support for=
the 2019 - 2020 season provided by the Ford Foundation, New York Community=
Trust, and Howard Gilman Foundation. The J. L. Greene Art Access Fund in T=
he New York Community Trust has partnered with The Billie Holiday Theatre t=
o bring the performing arts to underrepresented audiences throughout New Yo=
rk. Our ability to tell stories that matter in the epicenter of the largest=
community of people of African descent in the nation is made possible with=
support from our partners: The Andrew W. Mellon Foundation, The Laurie Tis=
ch Illumination Fund, The Fan Fox and Leslie R. Samuels Foundation, and Con=
Edison. Additional support provided by The Fund for the City of New York, =
Lily Auchincloss Foundation, The Shubert Foundation, Srinija Srinivasan Fun=
d of the Silicon Valley Community Foundation, and John Golden Fund. The B=
illie Holiday Theatre, Inc. is a proud member of the Coalition of Theatres =
of Color (CTC). The 2019 - 2020 Season is made possible, in part, by public=
funds from the New York City Department of Cultural Affairs in partnership=
with the City Council, with the support of Commissioner Tom Finkelpearl, t=
he Office of the Mayor of the City of New York with the support of Mayor Bi=
ll de Blasio, Office of the Brooklyn Borough President with the support of =
Brooklyn Borough President Eric L. Adams, New York City Council (District 3=
6) with the support of Councilmember Robert E. Cornegy, Majority Council, M=
ajority Leader Councilmember Laurie Cumbo, and the support of Assemblymembe=
r Tremaine Wright. =E2=80=8C The Billie Holiday Theatre | Bedford Stuyvesa=
nt Restoration Corporation, 1368 Fulton Street, Brooklyn, NY 11216 Unsubscr=
ibe ruben-at-mrbrklyn.com Update Profile | About Constant Contact Sent by info=
-at-thebillieholiday.org in collaboration with Try email marketing for free to=
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text-align: left;" align=3D"left">ly: Franklin Gothic Medium, Arial, Helvetica, sans-serif;">A NOTE FROM OUR =
COMMUNICATIONS TEAM
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tom: 10px;">
![3D""]() y: block; height: auto !important; max-width: 100% !important;" width=3D"56= 0" border=3D"0" hspace=3D"0" vspace=3D"0" src=3D"https://files.constantcont= act.com/0b8a4661501/313590fb-f871-49f8-9d95-4430d340d19c.jpg">
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Times New Roman, Times, serif;">Perhaps more than ever before, since the fo=
unding of The Billie Holiday Theatre, has the need to stay connected with y=
ou been as deeply meaningful as it is now. In a typical season, we talk wit=
h you, our community members, throughout the year when we see you in the lo=
bby for a show, when you stop by to purchase a block of group tickets, or s=
ome of you stop by to just say "hello" and check-in on how we're doing. Dur=
ing this atypical and challenging time and almost two months in, we want to=
do another check in on you and let you know that we miss you and that we t=
ruly remain concerned about your well-being. Passing by neighbors in our co=
mmunity, as we do essential errands, we are constantly thinking of you and =
your families. It is inspiring to see how our community continues to <=
/span>rgia, Times New Roman, Times, serif; font-style: italic;">keep on keeping o=
neorgia, Times New Roman, Times, serif;"> even when the going gets tough, pe=
rsevering with true determination during this moment of "pause". We are in =
the planning stages of what all of this means for The Billie, the staff, ou=
r artists, and for you - our community - and how we move forward with the u=
tmost care and well-being of staff, artists and audiences at the forefront.=
gia, Times New Roman, Times, serif;">We would just love to hear from you.&#=
xa0;Please take a moment and answer one question below to help us in our pl=
anning for moving forward.
gia, Times New Roman, Times, serif; font-style: normal; text-decoration: no=
ne;">On behalf of The Billie Holiday Theatre’s Communication Team,span> gia, Times New Roman, Times, serif;">stay safe, stay well, stay inspired.span>
gia, Times New Roman, Times, serif;">Always Our Best,
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2px; font-family: Georgia, Times New Roman, Times, serif; font-weight: bold=
;">Barbara Bullard 2px; font-family: Georgia, Times New Roman, Times, serif;">Communications L=
ead
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![3D""]() y: block; height: auto; max-width: 100%;" width=3D"119" border=3D"0" hspace= =3D"0" vspace=3D"0" src=3D"https://files.constantcontact.com/0b8a4661501/64= 3903f3-7008-409c-b907-187a3878ccfb.jpg">
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ing=3D"0" border=3D"0">
gn=3D"top" style=3D"font-family: Arial, Verdana, Helvetica, sans-serif; fon=
t-size: 12px; color: #403F42; text-align: center; display: block; word-wrap=
: break-word; line-height: 1.2; padding: 10px;">
2px; color: rgb(64, 63, 66); font-weight: bold; font-family: Georgia, Times=
New Roman, Times, serif;">Nina Flowers 2px; color: rgb(64, 63, 66); font-family: Georgia, Times New Roman, Times, =
serif;">Public Relations Lead
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"min-width: 100%;" width=3D"100%" cellpadding=3D"0" cellspacing=3D"0" borde=
r=3D"0">
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ing=3D"0" border=3D"0">
gn=3D"top" style=3D"font-family: Arial, Verdana, Helvetica, sans-serif; fon=
t-size: 12px; color: #403F42; text-align: center; display: block; word-wrap=
: break-word; line-height: 1.2; padding: 10px 20px 10px 0px;">
2px; color: rgb(64, 63, 66); font-weight: bold; font-family: Georgia, Times=
New Roman, Times, serif;">Edna Fulton 2px; color: rgb(64, 63, 66); font-family: Georgia, Times New Roman, Times, =
serif;">Community Connections Manager
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ft" valign=3D"top">
ing=3D"0" border=3D"0">
=3D"line-height: 1.2; font-family: Arial, Verdana, Helvetica, sans-serif; f=
ont-size: 12px; color: #403F42; text-align: left; display: block; word-wrap=
: break-word; padding: 10px 20px;">
text-align: left;" align=3D"left">
Times New Roman, Times, serif;">Photo of Hollis King and Carl Hancock Rux i=
n the World Premiere of , 0, 0); font-family: Georgia, Times New Roman, Times, serif; font-style: i=
talic;">A Walk Into Slaveryb(0, 0, 0); font-family: Georgia, Times New Roman, Times, serif;">, 2019.span>
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cellspacing=3D"0" border=3D"0" align=3D"center">
om-style: none; height: 1px; line-height: 1px; background-color: #000000;" =
bgcolor=3D"#000000">
![3D""]() e=3D"0" src=3D"https://imgssl.constantcontact.com/letters/images/sys/S.gif"= style=3D"display: block; height: 1px; width: 5px;">
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eft" valign=3D"top">
ing=3D"0" border=3D"0">
=3D"font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 24px; co=
lor: #2D3133; text-align: center; display: block; word-wrap: break-word; li=
ne-height: 1.2; font-weight: bold; padding: 10px 20px;">
le=3D"font-size: 28px; font-family: Franklin Gothic Medium, Arial, Helvetic=
a, sans-serif;">OUR PARTNERS
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ft" valign=3D"top">
ing=3D"0" border=3D"0">
=3D"line-height: 1.2; font-family: Arial, Verdana, Helvetica, sans-serif; f=
ont-size: 12px; color: #403F42; text-align: left; display: block; word-wrap=
: break-word; padding: 10px 20px;">
al; font-family: Franklin Gothic Medium, Arial, Helvetica, sans-serif;">The=
2019 - 2020 season folds the community into world-class artistic experienc=
es in the heart of Bed-stuy. The Billie Holiday Theatre was founded in=
1972 by Bedford Stuyvesant Restoration Corporation whose partnership&=
#xa0;provides a vital platform for the sustainability of world-class arts a=
nd culture.
al; font-family: Franklin Gothic Medium, Arial, Helvetica, sans-serif;">Lea=
d support for the 2019 - 2020 season provided by the Ford Foundation, New Y=
ork Community Trust, and Howard Gilman Foundation. The J. L. Greene Art Acc=
ess Fund in The New York Community Trust has partnered with The Billie Holi=
day Theatre to bring the performing arts to underrepresented audiences thro=
ughout New York. Our ability to tell stories that matter in the epicenter o=
f the largest community of people of African descent in the nation is made =
possible with support from our partners: The Andrew W. Mellon Foundation, T=
he Laurie Tisch Illumination Fund, The Fan Fox and Leslie R. Samuels Founda=
tion, and Con Edison. Additional support provided by The Fund for the City =
of New York, Lily Auchincloss Foundation, The Shubert Foundation, Srinija S=
rinivasan Fund of the Silicon Valley Community Foundation, and John Golden =
Fund.
al; font-family: Franklin Gothic Medium, Arial, Helvetica, sans-serif;">The=
Billie Holiday Theatre, Inc. is a proud member of the Coalition of Theatre=
s of Color (CTC). The 2019 - 2020 Season is made possible, in part, by publ=
ic funds from the New York City Department of Cultural Affairs in partnersh=
ip with the City Council, with the support of Commissioner Tom Finkelpearl,=
the Office of the Mayor of the City of New York with the support of Mayor =
Bill de Blasio, Office of the Brooklyn Borough President with the support o=
f Brooklyn Borough President Eric L. Adams, New York City Council (District=
36) with the support of Councilmember Robert E. Cornegy, Majority Council,=
Majority Leader Councilmember Laurie Cumbo, and the support of Assemblymem=
ber Tremaine Wright.
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lor: #2D3133; text-align: center; display: block; word-wrap: break-word; li=
ne-height: 1.2; font-weight: bold; padding: 10px 20px;">
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