MESSAGE
| DATE | 2008-04-12 |
| FROM | Ruben Safir
|
| SUBJECT | Re: [NYLXS - HANGOUT] Re: hello
|
On Sat, Apr 12, 2008 at 04:16:50PM -0400, April Centrone wrote:
> What does this mean? I clicked the link.. it brought me to a different
> video.
> april
>
> On Sat, Apr 12, 2008 at 1:39 PM, Michael L. Richardson <
> mlr52-at-michaellrichardson.com> wrote:
>
> > Rebun I have the video it is in .vob format 3.17 gigs.
> >
It's not on the net yet. What is some whatever that is that Mike has been
putting in his mail sig. Maybe Mike can answer what it is.
I'd need to clean up some space on the main server.
Ruben
> > *****
> > Check this out:www.globalabundanceprogram.com/mlr52
> > *****
> >
> >
> >
> >
> >
> >
> > ***************************************
> > Check this out:www.globalabundanceprogram.com/mlr52
> > ***************************************
> >
> >
> >
> > Ruben Safir wrote:
> >
> > Ah - here you are in the spam filter.
> >
> > On Mon, Apr 07, 2008 at 08:10:11PM -0400, April Centrone wrote:
> >
> >
> > Ruben,
> >
> > I admire your passion and knowledge of the subject, but the expression
> > is misdirected. I am not asking you to sign anything. i am not accusing you
> > of anything. I merely asked you about where we go from here.
> >
> > It is not Bassam who is to blame if you want to end our progress up to this
> > point. Bassam is a musician who has had bad experiences, he has every right
> > to be nervous. This is his work, and we all have to bend to our colleagues
> > sometimes, even if they are wrong or paranoid or whatever the case may be.
> >
> >
> > I'm not sure what issues Bassam has had previously but it is axiomatic
> > on my part that I'm not going to sign anything which restricts my
> > abilty to make works available and to education, especially in light
> > of the extremely debilitary way copyright law is currently. And I need
> > open and free cooperation to help promote something, which is so time
> > consuming I can't even begin to express it.
> >
> > I don't believe that it i shwed business to close off the distribution
> > and promotion of works, especially when trying to develop schools, especially
> > in a small narrow cultural segment, especially when the word 'Arabic' itself
> > creates visereral negitive emotional reactions by Americans which additionally
> > needs to be hopped over.
> >
> > When I suggested he was a perfectionist, it was actually a hope on my part
> > that he was artistically motivated, and not legally motivated. Artistically
> > motivated I can eventually work with because I'm comited to helping people
> > with worthwhile contributions to make find ways to promote their contributions
> > to society. But a legal and "business" motivation is a black hole contrary
> > to my most basic efforts (and your basic efforts as well).
> >
> > This line of thinking is a trap. If you beat people over the head wit legal
> > restrictions then either they'll just ignor the law anyway and perform
> > copyright violations, or they'll just ignor you and forget about you
> > because nobody outside of a few lawyers wants to be bothered with
> > threats to be sued.
> >
> > Take some time out and lookup vitalbooks and Ruben Safir, and see the
> > Creative Commons by Lawrence Lessig, which I don't entirely agree with
> > but is a good starting point.
> >
> > Promoting creative work which are singlerly controlled by a single
> > entitey lock stock and barrel is something I don't want to promote.
> >
> >
> >
> >
> >
> > I personally trusted you, that's why I got you involved. But I don't promise
> > every creative person I am associated with also has a keen business sense
> > and knowledge of modern-day technology.
> >
> >
> > Of course. I've been at this now for 8 years. I think I'm aware of both
> > the terrain. I feel like a tape recorder sometimes.
> >
> > But know whati'm saying
> >
> > We intimately share our civilization. You and I, and 10 billion
> > other people who yearn for freedom, knowedge, and the ability to participate
> > and share. We can work together to turn ignorance and suffering into
> > education and light, or we can chase false pretenses which hurt us all.
> >
> >
> >
> >
> > Let's start over and try to move forward.
> >
> >
> > Your a very smart girl, April. Talented beyound I think even your fully aware,
> > and have a huge future in store for yourself.
> >
> > You know what you have to do.
> >
> >
> > April
> >
> >
> > Ruben
> >
> >
> > On Mon, Apr 7, 2008 at 7:44 PM, Ruben Safir wrote:
> >
> >
> >
> > On Mon, Apr 07, 2008 at 01:05:42PM -0400, April Centrone wrote:
> >
> >
> > Hi Rubin,
> > I'm not sure I understood your email fully. So where are you
> > posting/archiving the video? We are proceeding forward as usual I
> >
> >
> > assume..
> >
> >
> > thanks,
> > April
> >
> >
> >
> > I have a political organization called New Yorkers for Fair Use. It
> > fights
> > against restrictive copyright laws. I wouldn't sign any copyright
> > contracts.
> >
> > I believe that restrictive copyrights, especially in the digital arena,
> > obstructs
> > education, economic development, impedes cultural exchange, and endangers
> > creatitivy.
> >
> > Furthermore, I talked at length to your cameraman. He said that Basaam
> > was very slow
> > in signing even the consent for an interview. That is just bizzare
> > because the boy,
> > I forgot his name, doesn't need a consent for an interview in the first
> > place.
> > No one can tell him what he can and can not write. This really gets
> > twisted.
> >
> > Regardless, what your trying to accomplish, cultural exchange and
> > education is
> > absolutely inconsistant with the position Basaam has taken, and frankly,
> > I'm
> > offended by sentence "We are legally bound, and there are repercussions".
> >
> > I have about a dozen lawyers who work with NY Fair Use.
> >
> > You are NOT legally bound and I certainly wouldn't get involved with
> > any contractial agreements which would make me legally bound.
> >
> > We will put the tape into our archive. We have no reasonable fair use
> > purpose for any of it's content at the moment, but it is footage of
> > authentic middle eastern classical music and it might come in handy
> > for something important some day.
> >
> > Meanwhile, the spirit of this is not conduscive to your mission. It's
> > completely
> > contrary to mine. You might not relize that yet, but your a bright women,
> > and eventually you'll figure that out.
> >
> > Keep in mind, the entire genera of Jazz would not have developed if faced
> > with this kind of legal bluster.
> >
> > "The tremendous problem we face is that we are becoming sharecroppers to
> > our
> > own cultural heritage -- we need the ability to participate in our own
> > society."
> >
> > I'm not a sharecropper.
> >
> > Ruben
> >
> >
> >
> >
> >
> > On Mon, Apr 7, 2008 at 6:32 AM, Ruben Safir wrote:
> >
> >
> >
> > On Mon, Apr 07, 2008 at 12:42:14AM -0400, April Centrone wrote:
> >
> >
> > Hi Rubin,
> >
> > Thanks so much for attending last Thursday. Did you set up the
> >
> >
> > video?
> >
> >
> > It's
> >
> >
> > very important that it is not broadcasted, and not just because we
> >
> >
> > are
> >
> >
> > perfectionists. :)
> >
> > We are legally bound, and there are repercussions if it's let out
> >
> >
> > without
> >
> >
> > being approved and signed off by contract. This private area on your
> >
> >
> > site
> >
> >
> > sounds satisfactory. The camera man we had we personally hired. Even
> > allowed by invitation to tape, he still had to sign a contract
> >
> >
> > ensuring
> >
> >
> > there would be no private distribution.
> >
> >
> >
> > Yeah - I'm not going to do that because I find that to be imoral
> > in principle. I spoke to the kid on the subway hope and he made
> > clear that its too difficult to get anything done with regard to
> > promotion and education with the ensemble and/or school. I would
> > never ever sign such a contract.
> >
> > I don't have time to educate anyone right now on the damage such
> > use of copyright poses to public education, not to mention the
> > damage it does to promotion of individual artists and schools,
> > but I'm going to back off this project for other artists and
> > educational programs that permit collaberation and education.
> >
> > I'm cc'ing Michael on this. We'll likely to just privately archive
> > the tape since I hate to destroy information.
> >
> > Good luck April. Your very very talented.
> >
> > Ruben
> >
> >
> > --http://www.mrbrklyn.com - Interesting Stuffhttp://www.nylxs.com - Leadership Development in Free Software
> >
> > So many immigrant groups have swept through our town that Brooklyn,
> >
> >
> > like
> >
> >
> > Atlantis, reaches mythological proportions in the mind of the world -
> >
> >
> > RI
> >
> >
> > Safir 1998
> > http://fairuse.nylxs.com DRM is THEFT - We are the STAKEHOLDERS - RI
> > Safir 2002
> >
> > "Yeah - I write Free Software...so SUE ME"
> >
> > "The tremendous problem we face is that we are becoming sharecroppers
> >
> >
> > to
> >
> >
> > our own cultural heritage -- we need the ability to participate in our
> >
> >
> > own
> >
> >
> > society."
> >
> > "> I'm an engineer. I choose the best tool for the job, politics be
> > damned.<
> > You must be a stupid engineer then, because politcs and technology
> >
> >
> > have
> >
> >
> > been attached at the hip since the 1st dynasty in Ancient Egypt. I
> >
> >
> > guess
> >
> >
> > you missed that one."
> >
> > (c) Copyright for the Digital Millennium
> >
> >
> >
> > --
> > http://www.mrbrklyn.com - Interesting Stuffhttp://www.nylxs.com - Leadership Development in Free Software
> >
> > So many immigrant groups have swept through our town that Brooklyn, like
> > Atlantis, reaches mythological proportions in the mind of the world - RI
> > Safir 1998
> > http://fairuse.nylxs.com DRM is THEFT - We are the STAKEHOLDERS - RI
> > Safir 2002
> >
> > "Yeah - I write Free Software...so SUE ME"
> >
> > "The tremendous problem we face is that we are becoming sharecroppers to
> > our own cultural heritage -- we need the ability to participate in our own
> > society."
> >
> > "> I'm an engineer. I choose the best tool for the job, politics be
> > damned.<
> > You must be a stupid engineer then, because politcs and technology have
> > been attached at the hip since the 1st dynasty in Ancient Egypt. I guess
> > you missed that one."
> >
> > (c) Copyright for the Digital Millennium
> >
> >
> >
> > --
> > April Centronewww.myspace.com/aprilsoprano321april.centrone-at-gmail.com
> > 732-895-5357
> >
> >
> >
>
>
> --
> April Centrone
> www.myspace.com/aprilsoprano321
> april.centrone-at-gmail.com
> 732-895-5357
--
http://www.mrbrklyn.com - Interesting Stuff
http://www.nylxs.com - Leadership Development in Free Software
So many immigrant groups have swept through our town that Brooklyn, like Atlantis, reaches mythological proportions in the mind of the world - RI Safir 1998
http://fairuse.nylxs.com DRM is THEFT - We are the STAKEHOLDERS - RI Safir 2002
"Yeah - I write Free Software...so SUE ME"
"The tremendous problem we face is that we are becoming sharecroppers to our own cultural heritage -- we need the ability to participate in our own society."
"> I'm an engineer. I choose the best tool for the job, politics be damned.<
You must be a stupid engineer then, because politcs and technology have been attached at the hip since the 1st dynasty in Ancient Egypt. I guess you missed that one."
© Copyright for the Digital Millennium
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