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DATE | 2005-04-08 |
FROM | Ruben Safir
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SUBJECT | Subject: [hangout] DRM is Theft
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A House committee has re-examined the use of interoperability in digital-rights-management schemes.
This week, the House Judiciary Committee's Subcommittee on Courts, the Internet, and Intellectual Property asked four industry representatives to testify on the issue of proprietary DRM schemes, which can prevent a track downloaded from a competing music store from being played on a player like the iPod, unless the song is downloaded in an unregulated MP3 format. ADVERTISEMENT
William Pence, chief technology officer of Napster, joined Michael Bracy, policy director of the Future of Music Coalition, Ray Gifford, president of the Progress and Freedom Foundation and Mark Cooper, director of research at the Consumer Federation of America, to testify in front of the panel. However, the four speakers advocated a market-driven response, instead of government intervention.
While the committee did not indicate that it would seek to open up the rights-management schemes, Rep. Lamar Smith (R-TX), who chaired the committee, said that the House planned to investigate the issue in light of the so-called "Section 116" license, which governs the making and distribution of physical records and digital music deliveries.
"Many of the licenses and rights in the music industry stem from compulsory licenses and exclusive contracts," Smith said. "Since one of these licenses, the compulsory Section 115 mechanical license, is now being updated for the digital era, the time is appropriate for the subcommittee to learn more about the impact of digital interoperability on consumers and artists."
The issue of copyright and managing that copyright has tended to go hand-in-hand, and Smith cited the ongoing Grokster Supreme Court case, which is testing the right and liability of peer-to-peer software makers to transmit works which may belong to a third party. Smith noted that it is in the interests of consumers and copyright holders alike to disseminate the works on a broad basis, so that enjoyment and profit can go hand in hand. On the other hand, Smith also drew parallels between the various rights-management schemes and digital formats.
"Legitimate questions have been raised regarding the impact of digital interoperability on consumers," Smith said. "In the physical world, consumers didn't expect that music audio cassettes were interoperable with CD players. Consumers switching from music cassettes to CDs bought the same music for $10 to $20 per CD that they already owned. Consumers accepted this since they felt they were getting something new with more value – a digital format that made every reproduction sound as good as the first playback.
"Music is quickly becoming an online business with no connection to the physical world except for the Internet connection," Smith added. "Even that connection is increasingly becoming wireless. Some of the same interoperability issues that occur in the physical world are now appearing here."
Several speakers cited the landmark fight between the VHS and Betamax videocassette standards, which were ultimately decided by the marketplace, and not regulators or the courts.
Pence, in particular, argued that the government should take a hands-off approach – to a point. Legitimate music services are competing against "pirate services," he said, which can offer a virtually unlimited catalog of music. Locking up certain tracks in one format or another inhibits authorized music resellers, he said.
"Historically the government has not been a participant in competition between early-stage consumer technologies, such as between the VHS and the Betamax, the cassette and the 8-track tape, USB and Firewire, or the current competition between DVD Audio and Super Audio CD," Pence said. "Similarly, it does not seem prudent for government to pick a winner in the continuing but still quite early-stage marketplace battle between Apple's Fairplay DRM and its competitors. Government intervention in the innovation business can lead to politicizing and inhibiting such innovation, rather than allowing the marketplace, based on actual demand, to select "winners" that must continue to provide viable solutions or lose their market, deservedly, to the next great offering that someone develops in his or her garage or corporate lab."
On the other hand, Pence said that the government has a role to play in enforcing the Copyright Act, especially sections 112 and 115, which deal with copyright royalties. "Napster and our legitimate online music competitors compete with pirate services, and it is critical to creators and all who support them that royalty-paying services win the day," he said.
Likewise, Gifford argued that mandating interoperability would rob the music industry of innovation. Although products like the Sony PSP and even coffee makers use proprietary formats, users will tend to gravitate toward interoperable formats in most cases, he said.
"Should public policy be concerned with this turn in the annals of coffee maker platform design or video game devices?" he said. "Probably not. If you start looking for standards to scrutinize, you will see them everywhere – from razors and blades, to PSPs and disk drives, to MP3 players and iPods. Because we cannot know in advance what consumers will prefer or what is truly superior, we should forbear from interfering."
Bracy, whose Future of Music Coalition was set up to represent the artists who create music, said that there are a number of alternative issues that Congress should be addressing instead of potentially legislating interoperable DRM: the alleged "payola" that takes place between recording studios and radio stations, the questions of Digital Audio Broadcasting and low-power non-commercial stations in urban markets, and the digital divide that even separates some emerging artists from their more successful brethren.
"The point is not that this industry is now perfect, or that we even can see the solution," Bracy said. "Rather, we all should acknowledge that the digital transition is complicated. It includes multiple competing markets, dependent on evolving technological innovation and regulatory policy decisions."
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